Brahman
SCRIPTURES
- Aparokshanubhuti Ashtavakra Samhita Bhagavad Gita Bhaja Govindam Brihadaranyaka Upanishad Guru Ashtakam Guru Gita Isa Upanishad Katha Upanishad Lingashtakam Madhurashtakam Mahabharata Mundakopanishad Sarva Vedanta Siddhanta Sara Sangrahah Saundarya Lahari Shanti Mantras Shvetashvatara Upanishad Srimad Bhagavatam Subhashitam Upadesha Panchakam Vairagya Shatakam Vishnusahasranama Vivekachudamani Yogavasishtha Ramayanam
PLAYLISTS
- Atma Sudha (Fountain of Bliss) Atma Sudha Verse by Verse (Fountain of Bliss) Bhagavad Gita Bhagavad Gita - Listen and Learn Bhagavad Gita - Verse by Verse Bhagavad Gita Chapter 15 Bhajans Essential Shlokas For Memorization (Bhagavad Gita) Evening Prayers Inner Embrace Inner Embrace Verse by Verse Morning Prayers Song of the Soul Song of the Soul - Verse by Verse Verses for Introspection Vishnusahasranama
PLAYLISTS
- Bhagavadgeeta – A Revolutionary Message Bhagavadgeeta – Sattva-Rajas-Tamas & Their Transcendence Ch.14 Prabhata Rashmih Prabhata Rashmih - Austerity and Renunciation Prabhata Rashmih - Brahmavidya Prabhata Rashmih - Discover Spirituality Prabhata Rashmih - How to Lead Life towards Fulfillment Prabhata Rashmih - Introspection, the knowledge austerity Prabhata Rashmih - Meditation - The Purpose and the Process Prabhata Rashmih - Mind - Its Mysteries and how to Spiritualize it Prabhata Rashmih - Nurturing Good Qualities Prabhata Rashmih - The Eternal Relevance of Scriptures Prabhata Rashmih - The Nature of Consciousness Prabhata Rashmih - The Practice of Sadhana Prabhata Rashmih - The Relationship with God Prabhata Rashmih - The Role of a Guru Prabhata Rashmih - What is it to be spiritual and its benefits Prabhata Rashmih - Where lies True Dharma Prabhata Rashmih – Interactional Sadhana, its role and means Prabhata Rashmih – Making Devotion Wholesome Prabhata Rashmih – The Unique Philosophy of the Bhagavad Gita Realise the Self - Here and Now The Majesty of the Mind Zenith of Devotion
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VIDEOS (64)
Swami Nirviseshananda Tirtha
173 – by Swami Nirviseshananda Tirtha – Taitiriya Upanishad – 2
This is the 173rd video in the playlist containing the ongoing weekly online Global Satsang series by Swami Nirviseshananda Tirtha ji. Chanting and explaining the shanti Mantra of Taittiriya Upanishad ॐ शं नो मित्रः शं वरुणः… (sham no mitrah sham varunah..), Swamiji says that Shanti Mantras are prayers where a seeker prays for the transformation of his own inner personality.
Audios (3)
Hinduism is very rational
Swami Bhoomananda Tirtha
How does one cultivate attention?
Swami Bhoomananda Tirtha
Zenith of Devotion - Day 3
Ma Gurupriya
Articles (4)
Swami Bhoomananda Tirtha
24 | On Bhagavad Gita | Experiencing Brahma-nirvana
Do not animals and birds live? Do they have desires like humans have? What about plants, trees and creepers? You cannot attribute desires to them. All of them live; their lineages also continue. They never indulge in desires. Learn the lesson from them and live, move and pursue the natural course of life joyfully, harmoniously, in a fulfilling manner.
Read MoreMa Gurupriya
Purity of Mind
A Mahatma had a rich disciple who, in spite of repeated advice of the Guru, would make no effort to purify his heart and mind. But at the same time, the disciple used to pester the Guru for bestowing on him Brahma- jnāna (knowledge of Truth – Brahman).
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Swami Bhoomananda Tirtha
The mystery called Mind
Mind can also be said to be something alien to the Soul, which veils the latter in a mysterious manner. It is all a question of which description suits your taste and becomes comprehensible for you
Read More Swami Nirviseshananda Tirtha
Bhagavad Gita for Personality Transformation
Right from birth, we are slave to our attraction and repulsion towards worldly objects and situations. Our mind constantly undergoes elation, depression, and agitation, depending on whether the objective situation we face is to our liking or disliking. We are fearful of losing what we like and facing what we dislike. Bhagavadgeeta wants us to transform this slavery into mastery by cultivating the “Yoga” attitude.
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